Canon - Professional Photo Magazine

1 Sep, 2022 | News, Videos, Canon | 0

Canon launches Between the Lines student competition ahead of the Birmingham 2022 Commonwealth Games

9 Jun, 2022 | News, Competitions, Canon, Business | 0

Canon Releases APS-C hybrid mirrorless cameras, the EOS R7 and EOS R10

24 May, 2022 | Canon, Mirrorless, News, Cameras | 0

The Move towards Motion Part 29 – The Mighty MFT

29 Apr, 2022 | Canon, Panasonic, Features, Blackmagic, Video, Filmmaking, Second Hand Cameras, Vlogging, News, Olympus | 0

Move Towards Motion – Tipping Point

by Dane Pestano | 28 Oct, 2022 | Filmmaking, Cine Cameras, Vlogging, News, Canon, Sony, Features, Mirrorless, Video | 0

What’s the moment when it makes more sense to opt for a dedicated video camera rather than a hybrid model that promises stills as well? We ask the experts at CVP to give us their thoughts.

Second Time Around – Canon EOS R6

by Dane Pestano | 6 Oct, 2022 | Canon, Business, Second Hand Cameras, News | 0

Our new MPB-sponsored series celebrating used kit sees wedding photographer Tommy Reynolds working with a Canon EOS R6 and 50mm f/1.2 to partner his current EOS R5.

Second Time Around – Canon EOSR6 Supplemental Video

by Dane Pestano | 1 Sep, 2022 | News, Videos, Canon | 0

Second Time Around Canon EOSR6 Supplemental Video

Canon launches Between the Lines student competition ahead of the Birmingham 2022 Commonwealth Games

by Dane Pestano | 9 Jun, 2022 | News, Competitions, Canon, Business | 0

Canon’s Between the Lines competition is a student photography competition offering ambitious amateur photographers the chance to experience a day in the life of a professional sports photographer, live from the Birmingham 2022 Commonwealth Games.

Canon Releases APS-C hybrid mirrorless cameras, the EOS R7 and EOS R10

by Dane Pestano | 24 May, 2022 | Canon, Mirrorless, News, Cameras | 0

Canon Releases APS-C hybrid mirrorless cameras, the EOS R7 and EOS R10 and new lenses.

The Move towards Motion Part 29 – The Mighty MFT

by Dane Pestano | 29 Apr, 2022 | Canon, Panasonic, Features, Blackmagic, Video, Filmmaking, Second Hand Cameras, Vlogging, News, Olympus | 0

Some have written off Micro Four Thirds in the wake of so many great full frame cameras, but the launch of the Panasonic GH6 proves that this is still a format with a great deal to offer.

Weddings in Motion with the Canon EOS R5

by Dane Pestano | 2 Apr, 2022 | News, Weddings, Canon, Business | 0

The arrival of high-quality Canon EOS R System hybrid cameras has enabled wedding professionals like Natalia and Vitalie Dukhota to offer a popular combined stills and video package.

DxO PureRAW 2: Versatility, speed, and support for Fujifilm X-Trans cameras

by Dane Pestano | 23 Mar, 2022 | Nikon, Sony, Fujifilm, Ricoh Pentax, Photo Software, Business, Sigma, Leica, News, Canon | 0

A revolution for RAW files, DxO PureRAW 2 now allows users to pre-process images without leaving Lightroom and offers significant speed improvements.

EOSR3 Test Video footage

by Dane Pestano | 2 Mar, 2022 | Canon, Video | 0

Test footage from the Canon EOS R3 shot by Adam Duckworth. Full review of the R3 can be found in Issue 193 of Professional Photo.

Canon launches two new RF lenses including longest focal length AF for mirrorless cameras

by Dane Pestano | 24 Feb, 2022 | Canon, Lenses | 0

Canon havey announced the launch of two new super-telephoto lenses, the RF 800mm F5.6L IS USM and the RF 1200mm F8L IS USM.

The Move Towards Motion Part 26 – The Golden Generation

by Dane Pestano | 27 Jan, 2022 | News, Canon, Nikon, Sony, Panasonic, Features, Video, Filmmaking | 0

As we enter a new year we join CVP expert Jake Ratcliffe as he looks back at some of the spectacular camera launches that have lifted the gloom during a very tough past two years.

The Move to Motion Part 25 – The Case for Cinema

by Dane Pestano | 31 Dec, 2021 | Vlogging, News, Canon, Nikon, Features, Video, Filmmaking | 0

If you’re a hybrid professional shooting both stills and motion then the idea of a camera that can similarly do both things is tempting, but could a dedicated Cinema model do a better job?