CVP’s showroom in London’s Fitzrovia district feels distinctly homely, which turns out to be entirely intentional and totally in tune with the welcoming ethos of this remarkable facility.
Nikon have announced the release of the NIKKOR Z 20mm f/1.8 S, a fast, ultra-wide-angle prime lens, and the NIKKOR Z 24-200mm f/4-6.3 VR, a high-power zoom lens, both for the Nikon Z mount system’s full-frame (Nikon FX format) mirrorless cameras.
Our latest issue has a fine art feel to it as we present a monster round-up of the very best inkjet papers and printers, brought together by renowned expert Mike McNamee. We’ve got case studies, previews of upcoming new media and shed loads of information on such crucial issues as print fade resistance: don’t miss it! Also in this issue we’re catching up with renowned landscape photographer Charlie Waite, whose latest project has been shot using MFT cameras, a lighting technique feature that shows you how to capture romantic couples and Lisa Devlin’s Twenty Top Tips for 2020! You can’t afford to miss this so make sure you don’t miss out!
The fine art market continues to grow as does the number of inkjet papers on offer. Here’s an extract from the overview expert Mike McNamee is presenting in Issue 169 of Professional Photo.
Still photography and filmmaking used to be very different genres but now it’s possible to invest in kit that covers both bases. So what do you need to make the move into shooting motion?
Given the opportunity to work with the Panasonic S1R Adam Parker negotiated access to an historic London location that served as the perfect backdrop to an atmospheric fashion shoot.
As a tribute to legendary photographer Terry O’Neill who passed away on November 16, 2019 we’re re-running an interview Professional Photo editor Terry Hope carried out with him for the magazine back in 2010.
Landscape photographer and trainer Rachael Talibart requires hi-res files to produce her exquisite fine art prints, and she took the Panasonic S1R for a spin to see what it had to offer.
Gareth Sambridge embodies the modern breed of professional in that increasingly he’s required to shoot both stills and film, and we asked him to give the Panasonic Lumix S1’s hybrid capabilities a whirl.
Professional Photo interviews wildlife photographer Andy Rouse to supplement our Issue 164 article Into The Wild in which Andy talks about his change to the MFT Olympus E-M1X.
