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Category: Back Issues 2021

Professional Photo Issue 188

There’s a real fine art feel about our latest issue, with a striking clown self-portrait from Guy Bellingham, produced using the vintage Tin Type process, making our cover spot. It all ties in with a meaty fine art special section, where Guy talks more about the appeal of working with a wet process and a lens that’s nearly as old as the medium of photography itself. We’re also taking a look at fine art papers, with a chance to sign up for two free sheets of the very latest Canson Infinity media, we’re exploring the emerging market for NFT digital files, looking at how to add a fine art feel to your commercial work and we’re finding out how to make fine art a strong and profitable side-line to your chosen specialisation. Also in this issue we’ve got the results of our outstandingly successful Professional Photographer of the Year Competition with a full round-up of winners, and it’s the culmination of the biggest challenge this magazine has ever thrown out there, which attracted hundreds of entries from all over the world. For those that love cars of all kinds we’ve got part one of a detailed look at automotive photography from self-confessed petrol head Richard Bradbury, while our Move Towards Motion feature this month asks the experts at CVP why they consider the camcorder still has much to offer those who are looking to add filmmaking to their mix. Paul Wilkinson is talking about how sometimes it’s the shots you never even planned that can stand out from a session while Amy-Leigh Atkins is taking a look at the freshly launched Exposure 7 software, which promises to deliver a stack of great features. Last but by no means least, working pro David Nash is taking the delightfully vintage-looking Nikon Z fc out on a job and he’s reporting back on what it has to offer. Another great mix of stories to enjoy, so come on in and take a look around!

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Professional Photo Issue 187

A great animated portrait from top professional Spiros Politis graces the front cover of the latest issue of Professional Photo and it ties in to a classic Portfolio from this great photographer, where he explains the attraction of working with people and why his natural curiosity encouraged him into this genre. Meanwhile our featured Project this month focuses on Peter Dazeley’s breath-taking voyage behind the scenes at a selection of London’s top theatres, revealing a side the public would never see, while Peter Dench is name dropping with abandon, as he recalls some of the many celebrities he’s worked with over the years. Our regular look at the world of filmmaking in conjunction with CVP is focusing on the new breed of powerful and portable LED lights which are perfect for those working on location, while Paul Wilkinson has his work cut out trying to make a low-tech mobile coffee machine look like a speedy racing car, but he’s succeeded admirably and he shows us how! On the business front Rosie Parsons is talking through her new system of prepping clients for their shoots by sending them through bespoke videos that cover all the bases, while Gillian Devine is extolling the benefits of offering a premium upmarket service that commands higher prices and delivers way less stress. On the technical front our main review this month features the quirky but loveable Sigma fp L, while we’re also looking at the Nikon MB-N11 battery pack from Nikon and the remarkable Sony Xperia Pro Smartphone, which can double as a monitor for your video camera! Another value-packed line-up, so come on in and take a look around!

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Professional Photo Issue 186

Take a voyage of discovery in the latest issue of Professional Photo as we dip into the archives at Iconic Images to reveal a selection of extraordinary previously unseen vintage pictures and contact sheets from celebrated shoots of the past. It’s all come about following the launch of the new Iconic Licencing website and the digitisation of thousands of contact sheets and transparencies from the 1960s and beyond. Take a look at what we’ve found and go and explore yourself! And you’ll do a double take, as we stick with the vintage theme to tell the tale of how one photographer set up a shoot with a model who was the doppelganger of Audrey Hepburn. Our Project this month features the eye-catching work of Jonk, who specialises in capturing the gentle decay of derelict buildings, while Paul Wilkinson is sharing the story of how he occasionally works his passage as a photographer on cruise ships, which gave him the opportunity to set up a shoot with one of the ship’s entertainers on the glorious island of Rhodes. Meanwhile Pro Academy is moving onto its second challenge with a shout out for your best best portrait shots, while we’re revealing our latest spot prize winner and giving you one final chance to get your entries in for our mega £8000 Professional Photographer of the Year competition, which closes at the end of August. Our main test this month is the mighty new Sony professional flagship the Alpha 1, while we’re also rounding up the opportunities presented by the burgeoning used kit market, and are talking to a selection of the top second-hand specialists to reveal the best and most economical way to stay ahead of the game by trading up. In other words we’re packed full to bursting as always, so dive in and take a look!

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Professional Photo Issue 185

You might do a double-take when you see the cover of the latest issue of Professional Photo. Yes, that really is the iconic image of Brigitte Bardot, shot by Terry O’Neill, but we bet this will be the first time you’ve seen it in colour and we report inside on how it was meticulously worked on to create a image that has a very different feel. Elsewhere, we’re catching up with cycling specialist Alex Broadway who is telling us how sport made him fall back in love with photography, we’re hearing how Yellow Cab driver Joseph Rodriguez learned his photojournalist trade back in 70s New York through photographing the passengers on his back seat and a line-up of top pros tell us how they developed their personal ‘look,’ with the help of a little post-production preset magic. Our brand-new Pro Academy feature, in conjunction with the Nikon School, will give you the opportunity to challenge yourself across a range of genres and to earn a certificate as proof of your efforts, we’re explaining why live streaming is fast becoming a revenue-earner for professional photographers and Gillian Devine tells us why helping local businesses to develop their brand can be big and hugely enjoyable business. Also don’t miss our reviews of the exciting new Panasonic GH5 II and the brand-new hybrid SW271C monitor from BenQ, that is equally at home whether it’s stills or motion you’re working on. As you can tell, it’s another jam-packed issue, so dive in and take a look around!

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Professional Photo Issue 184

Check out the latest issue of Professional Photo, which is once again brimming with great features, superb imagery and incisive input from our expert pro team. Our cover has been provided by master photographer Damian McGillicuddy, who will be judging the fashion and beauty category of Professional Photographer of the Year. Damian is sharing thoughts about how to get the best out of your model and providing some clues about what he’ll be looking out for at the judging stage, so tune in for some useful insights! Meanwhile, if you love landscape then you’re going to relish our Portfolio this month, which features stunning monochrome work from Indonesian-based photographer Hengki Koentjoro, while our Project feature traces the fascinating story of how portrait photographer Jenny Lewis sourced 100 people ranging from birth through to 100 to picture for her new ‘Portrait of a Community’ book. In Anatomy of a Picture Paul Wilkinson is recalling a commission that involved photographing a group of actors in such a way that they could be moved around within the composition for ultimate flexibility and Richard Bradbury is problem solving by talking through ways to achieve a professional level of sharpness in your images. On the software front we’re checking out presets, showing how Affinity Photo can deliver selective colour and testing out Zoner’s exciting new Photo Studio X package, while our big reviews this month focus on the pro-grade new Pentax K-3 Mark III and the hugely innovative Asus dual screen ZenBook Pro Duo 15, which is designed to zip through your post-production. There’s lots going on, so come take a look!

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Professional Photo Issue 183

Professional Photo has had a facelift, so check out our new look, enjoy our extra pages and feast on our fresh features as we reflect on the photographic business getting back into full swing. We’re talking to wedding photographers who are revealing how they’ve survived lockdown and are preparing to come back stronger, we’ve got an interview with Tim Dunk, who’s made such a success of virtual shoots over the past twelve months that he’s not contemplating going back, we’re marking the re-opening of The Fujifilm House of Photography and we’re looking at ways you can prepare your business to be better and stronger than ever before as the world starts to take its first steps back towards normality. We’re also talking to conservation photographer Daniel Beltra who is raising awareness of issues facing the planet while also producing some gorgeous eye-catching work, we’re sharing Anthony Lycett’s project that’s giving some of the most stylish and outlandish dressers out there the chance to show off their style and we’re also revealing our first Professional Photographer of the Year spot prize. We’re also running a full review of the magnificent new medium format Fujifilm GFX100S this month, so read our verdict on a camera that offers extraordinary quality for the cost of a 35mm-style mirrorless model. Jump in and take a look around: you won’t be disappointed!

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