There’s a characterful portrait gracing the cover of the latest issue of Professional Photo, provided by Italian American photographer Michael Chinnici, whose love affair with Cuba forms the basis of this month’s Project feature. French photographer Umbertha Richeux shares her atmospheric portfolio with us, which consists of a revealing series of self-portraits, all set against a rich tableau of sumptuous yet slowly decaying abandoned buildings, sourced across Europe.

The latest issue of Professional Photo has a decidedly fine art feel, with a gorgeous Old Master-influenced portrait by Barbara MacFerrin gracing the cover. Inside we’re featuring a full interview with the photographer who is creating such a buzz at the moment, and we’re discovering the story behind her distinctive style and hearing how it’s helping her to build an international reputation.

The bumper new issue of Professional Photo is the biggest we’ve produced to date as an independent publisher and it’s positively heaving with unmissable content! For our Portfolio slot we’ve caught up with the legend that is Albert Watson, and the great photographer is bringing us up to date on how his New York studio has survived the pandemic and he’s sharing, for the very first, time, some of the images from his latest project, with one of them featured on our cover.

A new book from wildlife specialist Tim Flach is always a special treat and we’ve got an eye-catching cover image from the great photographer plus an insightful interview and a further selection of wonderful avian imagery to feast your eyes on inside.

There’s a dramatic portrait of a firefighter gracing the cover of our first issue of the New Year, and inside you’ll find a full interview with photographer Josh Edelson, who has spent the past ten years chasing the Californian forest fires, which sadly appear to be increasing in intensity year by year.

Our striking cover image is from Rankin, and we’ve got an exclusive interview with the celebrated photographer this month where he’s talking about his latest show Performance, which is marking the joyful return to business for London’s theatreland.

As the COP26 Climate Conference takes centre stage there’s an appropriate environmental feel to the latest issue of Professional Photo, with a glorious nightscape shot by astro photographer Josh Dury gracing our cover. It’s a scene that reveals the glorious expanse of the universe that can be seen in a dark sky but, as Josh reveals, there’s a battle on to prevent the creeping threat of light pollution.

A great animated portrait from top professional Spiros Politis graces the front cover of the latest issue of Professional Photo and it ties in to a classic Portfolio from this great photographer, where he explains the attraction of working with people and why his natural curiosity encouraged him into this genre. Meanwhile our featured Project this month focuses on Peter Dazeley’s breath-taking voyage behind the scenes at a selection of London’s top theatres, revealing a side the public would never see,

here’s a real fine art feel about our latest issue, with a striking clown self-portrait from Guy Bellingham, produced using the vintage Tin Type process, making our cover spot. It all ties in with a meaty fine art special section, where Guy talks more about the appeal of working with a wet process and a lens that’s nearly as old as the medium of photography itself.

Take a voyage of discovery in the latest issue of Professional Photo as we dip into the archives at Iconic Images to reveal a selection of extraordinary previously unseen vintage pictures and contact sheets from celebrated shoots of the past. It’s all come about following the launch of the new Iconic Licencing website and the digitisation of thousands of contact sheets and transparencies from the 1960s and beyond.

You might do a double-take when you see the cover of the latest issue of Professional Photo. Yes, that really is the iconic image of Brigitte Bardot, shot by Terry O’Neill, but we bet this will be the first time you’ve seen it in colour and we report inside on how it was meticulously worked on to create a image that has a very different feel. Elsewhere, we’re catching up with cycling specialist Alex Broadway who is telling us how sport made him fall back in love with photography and lots lots more.

Check out the latest issue of Professional Photo, which is once again brimming with great features, superb imagery and incisive input from our expert pro team. Our cover has been provided by master photographer Damian McGillicuddy, who will be judging the fashion and beauty category of Professional Photographer of the Year.

We’re celebrating the fact that weddings have the go-ahead to start up again with a gorgeous cover from columnist Lisa Devlin and some thoughts from her about how you need to be looking carefully at your post-Covid pricing and the alignment of your business in the rapidly evolving wedding photography market.

We’re celebrating the fact that weddings have the go-ahead to start up again with a gorgeous cover from columnist Lisa Devlin and some thoughts from her about how you need to be looking carefully at your post-Covid pricing and the alignment of your business in the rapidly evolving wedding photography market.

If you love iconic photography then you’ll appreciate the vintage image by master documentary photographer Larry Fink that features on our latest cover. A classic from his classic Social Graces series, Larry’s work is currently the subject of a huge retrospective in Cologne and we’ve got an exclusive interview with the great man, as well as a selection of some of his greatest work

There’s a wintry feel to the latest issue of Professional Photo, with a stunning seal portrait by renowned wildlife photographer Daisy Gilardini adorning our cover and a full polar portfolio inside.

Our first issue of 2021 is now out and our team of expert contributors is looking ahead to a time beyond lockdown and remaining resolutely optimistic about the year ahead

We’ve got a striking and previously unpublished portrait from master photographer Steve McCurry on the cover of the latest issue of Professional Photo, plus a Portfolio of images from his latest book to admire, along with an exclusive interview.

Catch up with issue 177 of Professional Photo, which features ‘lady in red’ Sophie Ellis Bextor on the cover. Inside you’ll find our usual eclectic mix of great stories, killer technique and informed kit reviews.

Our high-kicking cover star this month was photographed by Hollywood fine art photographer Tyler Shields, often considered the bad boy of the business for his sometimes controversial imagery. However, we find out there’s much more to Tyler than his public persona, and he reveals why he’s felt the need to knock over some conventions, plus the fact that he only ever sleeps for around two hours a night

Professional Photo 175 is now in the shops and we’ve got the wonderfully eccentric Flora Borsi on our cover, with a shot from her hugely inventive animal series. There’s lots more on Flora inside plus we’ve also got a full hands-on review of one of the most eagerly anticipated cameras of recent years, the incredible new Canon R5, so don’t miss Michael O’Sullivan’s expert verdict.

Professional Photo is back in print and returning with a vengeance, with a cover and portfolio from the legendary Bob Carlos Clarke, who unbelievably would have turned 70 this year. We’re celebrating his career with a look at some of his most iconic images and an overview of his legacy from those that knew him best

The first ever digital-only issue in Professional Photo’s history is now on sale and it’s bursting at the seams! At 108 pages it’s our biggest issue for years and it’s a full fifty per cent fatter than Issue 170.

The first ever digital-only issue in Professional Photo’s history is now on sale and it’s bursting at the seams! At 108 pages it’s our biggest issue for years and it’s a full fifty per cent fatter than Issue 170.

Our theme this time around is ‘keep it simple’. That might sound like a curious thing to say to a professional, but sometimes it’s possible to try just a little too hard and to end up overcomplicating things.